ASHLEY VEGAS

Month

October 2010

7 posts

An attempt to weave disjointed stories together.

I haven’t tried to tie everything together until now, here’s a synopsis of what’s going on as it relates to the upcoming show. 

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The story starts with Erica Sort, the only child of Mr. & Mrs. Sort, owners of the Tryst Hotel in Paradise, Nevada. Erica grew up shy and for the most part, highly self conscious.
Come college, she blossomed into a beautiful woman and attracted the attention of a self proclaimed hedonist. When he left, he caused an awkward growth in mental maturity for Erica. Mostly, her awkwardness in growth stemmed from her inability to reconcile her dirty acts with her morals, and from that point she questioned societal constructs that mandated she act “innocent” and “virginal.”

She obsessed over the answer to love and happiness. And prayed the answer didn’t lie in hedonism. But as she began to learn, her Heart Breaker lived and thrived from it.

Her loneliness in his absence drove her crazy. She began living in her head and from there the Ephemerals come in. Ephemerals are beings that exist in a different un-reality. They are women that have made bad decisions and sit in “un-reality” to contemplate them until they come to terms with their past. It’s a lot like living in your head, and it’s generally a lonely state.

When Erica Sort was heartbroken in a situation involving hedonism, she established a mental connection with the Ephemerals, and developed the medical condition “sleep hypnogogia” as a result. In her sleep hypnogogia, she hallucinates and hears the Ephemerals talking to her.

Over time, the voices become clearer and eventually they’re able to manifest in reality as tangible (but very distorted figures).  Generally, they keep to themselves in un-reality, but among them, Ana is the social femme fatale that loves talking to Erica, and learning more about her sadness.

These Ephemerals become the feeding fuel for Erica’s Diary, where she documents her thoughts on everything that happened to her, hedonism and the Four Digit Number that represents it. In some cases (such as Ana), the women serve as a catalyst for a more assertive but ambiguously mature Erica. 

 Much later, we learn that every one of the Ephemerals was broken hearted by the same person at a different point in time.  The story of “Pleasures” is to connect all of these women in a way that documents the psychological tug and pull between sexuality, assertiveness, femininity, and acceptance. 

Oct 27, 2010
#ephemeral pleasures #pop surrealism #pop #surrealism #california #lowbrow #low #brow #art #painting #drawing #pastel #bfk #paper #love #lust #loss #big car #indianapolis #feminine #female #oil #acrylic #ashley vegas #diary #diary of ashley vegas #please don't get bored of me
Oct 27, 2010
#ephemeral pleasures #pop surrealism #pop #surrealism #california #lowbrow #low #brow #art #painting #drawing #pastel #bfk #paper #love #lust #loss #big car #indianapolis #feminine #female #oil #acrylic #ashley vegas #diary #diary of ashley vegas #please don't get bored of me #Whatimustdo #whaiimstdo #ephemeralpleasures
Oct 19, 2010
#ephemeral pleasures #pop surrealism #pop #surrealism #california #lowbrow #low #brow #art #painting #drawing #pastel #bfk #paper #love #lust #loss #big car #indianapolis #feminine #female #oil #acrylic #ashley vegas #diary #diary of ashley vegas #please don't get bored of me #Whatimustdo #whaiimstdo #ephemeralpleasures
Oct 7, 2010
#ephemeral pleasures #pop surrealism #pop #surrealism #california #lowbrow #low #brow #art #painting #drawing #pastel #bfk #paper #love #lust #loss #big car #indianapolis #feminine #female #oil #acrylic #ashley vegas #diary #diary of ashley vegas #please don't get bored of me #Whatimustdo #whaiimstdo #ephemeralpleasures
Galleries I'm quite fond of

The Vagus Nerve Publication and Gallery Space, Las Vegas (site is amazing and I hope it never ever comes down.)

Big Car Indianapolis

iMOCA Indianapolis

Fallout Gallery, Las Vegas (Rest in peace) 

Blackbird Artists (Formerly Place Gallery), Las Vegas

Mount Comfort, Indianapolis

Oct 7, 20101 note
Vegas/Indy People Whose Art I Like and Follow

Michael Nannery 

Sean Schumacher (thanks for overlooking my didactic)

Tom Streit 

John Clark

Mab Graves

Amy Sol

Ian Racoma

Amanda Morris 

Casey Roberts

Haoyuan Ren Photography

Peter Mengert 

Oct 7, 20101 note
A Thank You to Everyone that Helped and made this exhibit possible.

Shauta Marsh-For picking me out of the crowd and asking me to do a show. From then on, you’ve given me so much guidance and information, as well as curating what is possibly the most well organized show I’ve ever had the pleasure of being in. You are probably the coolest person in all of Indianapolis-land. Thank you for supporting and even encouraging the wildest of my thoughts and stories. 

Everyone at iMOCA and the iMOCA board

Everyone at Big Car Gallery and the Emerging Artist Scholarship-Thanks for the cd, Tom! 

Editions Limited Framing, for making my art look amazingly possessional. 

Katie Cewe and The Gyspy Den-Your place is awesome and I love what you’ve done with the Vegas art/music scene.  Thank you for supporting and loving what I do. 

That one guy for that one time in our printmaking class that you put me on the spot and basically told me my work had no depth. I never took offense, but I was stubborn and proud and now here we are. You gave me the four digit number, or rather, I kind of borrowed it.  

My family, who send me art supplies and pack everything in nice boxes when I’m not there. You organize me when I get chaotic and without you I would literally be a mess. More specifically my sister, who took time out of her school day to go to the Funk House and take down my artwork. It was hot, sweaty, and not easy!

Brian Presnell of Midwest Aesthetic and Design-for installing the show!

Charles Fox of the Indianapolis Arts Council, and creator of Outposts From the Material World.

And I want to thank everyone that came out and told me they liked my show. Everyone that came to me to tell me their favorite, and why. I love knowing the back-story to why a particular portrait speaks to you. It’s why I make these in the first place, to convey and communicate a universal emotion. And in turn give people a place to know that even if they’re living in their heads, they are not alone. 

Oct 7, 20102 notes
#ephemeral pleasures #pop surrealism #pop #surrealism #california #lowbrow #low #brow #art #painting #drawing #pastel #bfk #paper #love #lust #loss #big car #indianapolis #feminine #female #oil #acrylic #ashley vegas #diary #diary of ashley vegas #please don't get bored of me
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